“I narrowly survived the toddler pipeline to the wreckage of the train Nothing was designed for me to end ‘Normal’ ‘Stable’ ‘Alive’ ”

Alyson Stoner, the former child star who has appeared in huge Disney franchises like Camp Rock, The Suite Life of Zack and Cody, Phineas and Ferb, as well as countless shorts and music videos including “Work It” by Missy Elliot, wrote a heartbreaking op-ed for People detailing the chronic illness of childhood fame and how the abuse she suffered from the Hollywood system almost broke her like many of her peers

“While traversing extreme peaks and valleys of world renown, hidden medical hospitalizations, artistic milestones, rapid adultification and multi-level abuse that I don’t wish on anyone, I barely survived the pipeline from toddlers to train wreck, “wrote Stoner” In fact, nothing was designed for me to end up “Normal ” Stable ” Alive ‘”

We’ve seen the system hurt young stars over and over again Britney Spears Lindsay Lohan Demi Lovato The Olsen Twins of an isolated problem, ”Stoner wrote, adding,“ How can children unintentionally copy and paste the same horror stories, the same pleas for help, and the same humiliating spirals? How come there hasn’t been any sign of improvement for centuries? “

Stoner believes that clear action plans for intervention, long-term prevention methods and adult accountability are missing from the equation “On behalf of the children currently being abused right now, we have the opportunity to empower each other through honest conversation and collaborative action”

She split the system into a clear two-act structure to explain how things went so horribly wrong for child stars, using her own experience as an example Stoner recounted her first audition – she was 6 and was auditioning for the role of a kid who had been kidnapped and raped An hour later she found herself auditioning for a princess toy commercial and therefore had to transform into another person to hopefully land the two roles

She continued, “Developmentally, my perceptions of basic safety, healthy relational attachment, and awareness of my surroundings are very impressionable Cognitively, I’m just starting to understand the difference between the real and the imagination And my nervous system imprints patterns that will subconsciously dictate my behavior personally, socially and professionally for decades”

Stoner suggests that a third-party mental health professional on set is the answer to this problematic imprint Not only can this professional help minors (and adults, as well) navigate identities, but also help children. actors when they need to report mental health issues and misconduct

Despite legal provisions surrounding child labor, many companies, Stoner wrote, do not comply “According to the US Department of Labor, 17 states still do not have regulations in place for children’s entertainment in 2021 “, said Stoner” Yet all 50 have working children “

At this young age, Stoner skipped meals to work her overlapping jobs, and agents even encouraged her to seek her parents’ emancipation so she could work longer. “My body suffers from medical malnutrition and chronic stress, which will later develop into severe eating disorders, adrenal fatigue and forced bed rest,” wrote Stoner. “The onset of puberty made my size and bust the main objects of attention and inspection This will also categorize my career path “

“There must be compulsory courses on core industry and media literacy for guardians and representatives and to guide established protocols,” suggests Stoner, to serve as a checkpoint on the grounds of guardians “It can reveal careless and greedy behavior within agencies And it can establish best practices for getting the million dollar shot in the safest and most ethical way”

And at 17, Stoner’s family had collapsed from constant stress and she had admitted to rehab “I’m here because I’m at least 20 pounds underweight and I dare to believe that my health matters, even if I feel like I am the only one in the avocado ”, she wrote

But that “hiatus” forced Stoner to start over – its marketing collapsed as it was no longer relevant “Culturally, I will be reduced to my old characters and I am expected to merge into a nostalgic memory or a ‘has-been’ even though I haven’t had the chance to learn who I am in the first place, “she wrote

“This is not about pointing fingers, but working together to protect the children who will be the next generation of society, many of whom have a palpable influence on your own children,” Stoner said. very few resources to help people discover and understand the implications of a star-studded children’s culture, whether you are the child, parent, agent, or audience Solutions like mental health practitioners and industrial literacy courses are easy next steps “

She realizes that she is “one of the luckiest cases” of childhood celebrity, and she credits her therapist and a “mysterious inner force” that has driven her to her ” engage in personal work and constant healing to have helped her get by the tunnel – but not without its own scars and trauma

“And no I didn’t mention sexual harassment, stolen intellectual property and money, paparazzi, the psychological impact of the new influencer landscape, toxic power games and what really happened. spent on all these sets, ”she noted “If we disrupt and heal the pipeline from toddlers to train wreckage, we won’t need another cautionary brief But, highlighting my story as some form of ‘exception “As a rule, we misunderstand the suffering of my peers and we distract from the necessary changes immediately”

“As long as we are enchanted or complacent, we are also vulnerable,” concluded Stoner. “This applies to families in Hollywood as well as consumers at home Together we can change the narrative”

Alyson Stoner

World News – US – Alyson Stoner writes heartbreaking op-ed on the dangers of being a child star

Source: https://hellogiggles.com/celebrity/alyson-stoner-child-actor-op-ed/