French duo Daft Punk, who today announced their retirement from music, were already adored before taking the stage at Coachella in 2006 He had three acclaimed studio albums, a decade of semi-touring regularity and esteem for dance music and pop sophistries

Starting in the 90s, Thomas Bangalter and Guy-Manuel de Homem-Christo hid their faces under gold and silver robot masks, a character rarely broken, but became recognizable pop stars in their own right

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But when the lights came on above the band’s gigantic pyramid in Indio, and a tent full of young neophyte ravers felt the disco thrash of “Robot Rock”, an entire EDM industry was thrown into it. the stratosphere, remaking the culture of festivals in the US for a generation

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“No one had seen anything like it,” dance music historian Michaelangelo Matos said in the 2015 documentary “Daft Punk Unchained” “No one had seen this level of production Anyone who was in the tent were texting everyone: “You miss it! It’s the most beautiful thing I have ever seen! You miss the best performance ever ”

With the release of a video blasting their robot’s body forever, Bangalter and Homem-Christo announced on Monday that they were calling his resignations, 28 years after his training and seven years after their “Get Lucky ”rocketed Grammy-winning album of the year for“ Random Access Memories ”

With a catalog filled with club bangers, film scores, Kanye West and The Weeknd collaborations, and a No 1s dance chart, Daft Punk enjoyed what was arguably the most influential career and the most accomplished of modern electronic music

The duo’s first hit single in its new form after a brief indie-rock career set the template for their upcoming music – a hot fat synth, perfectly chopped samples, and a video directed by Spike Jonze featuring a dog man in a trench coat that has become a staple of the MTV era

One of the most elegant and endlessly curly cuts from the album “Homework” which showed a softer and more sophisticated approach to contemporary house, with a colorful yet fun dance video (Daft Punk had some great ones from that time with Jonze, Michel Gondry, Roman Coppola and Seb Janiak)

The most reliable and exultant song in its catalog; it’s never a bad time in a DJ set to spot this ultra-compressed triumph and watch the room open

A team with US producer Todd Edwards, the fifth single from “Discovery” topped US dance charts in 2004 (replaced by “Toxic” by Britney Spears what a month!)

5 “Interstella 5555: The 5tory of the 5ecret 5tar 5ystem” (2003) Not a song but the animated feature of the band / companion of their album “Discovery”, under the tutelage of the legendary animation studio Toei and director Kazuhisa Takenouchi

The harsher edges, rock attitude, and overwhelming dynamics of “Robot Rock” set the tone for manager Pedro Winter’s Ed Banger Records, which would bring French club music into a truly exciting new era. he album “Human After All” received mixed reviews, but the main singles established themselves as catalog staples for their live sets, which is where the band took their concept to new heights.

This live version of his beloved and towering post-Coachella touring album, “Alive,” was released as a single and makes a strong case as a definitive take Kanye West then used the song as the central sample of his own smash, “Stronger”

8 “Tron: Legacy” (2010) The two dozen cups produced by the group from the rebooted sci-fi stage might not get much club play today, but they show the level of rigor and musicality that the group was capable of far from the dance floors

9 “Get Lucky” (2013) For most of the non-dance music world this track will be their calling card forever Just a pure and perfect nightclub, witty and upbeat and spanning a generation Nile Rodgers at the unmistakable guitar, vocals Pharrell reaching just enough – this is the standard single from the group “Random Access Memories, Grammy-dominated” “

The band finally got their Billboard No 1 as producers and guests on Weeknd’s ‘Starboy’ and ‘I Feel It Coming’ “The pair of tracks won’t top Daft Punk’s super fan list, but they proved that Daft Punk could step into the background of a pop star’s vision and dominate festivals

August Brown covers pop music, the music industry and nightlife politics at the Los Angeles Times

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Source: https://www.latimes.com/entertainment-arts/music/story/2021-02-22/daft-punk-quits-best-songs